Team DECiBEL | 18 Feb 2020 | WIN: 3.6GB | OSX:4.04GB

Adam Monroe的Electric Bass是从Yamaha BB424x电贝司吉他中取样的。低音进行了修改，以便将各个拾音器连接到独立的插孔，从而可以对琴桥和颈部拾音器进行独立采样。绕过了音量和音调锅，因此电阻器就位了，以最大程度地减少没有锅的电贝司的“拾音”声。然后，将拾音器放入单独的Radial 48有源直接盒和Grace 101前置放大器中，这提供了额外的增益。

采样开始于以4个速度层和5个音符循环的目标进行记录。低音琴弦保持相对明亮和新鲜。几乎以这种方式对整个低音进行了采样，但是结果并不令人满意，因此从一开始就以10个力度层，4音符循环和柔和的琴弦重新采样了低音。

轻柔地弹奏音符并猛烈地打击它们，以便在低速演奏时会发出微弱的打击声，并发出温暖的声音，高音速的音符会更加具有打击乐性。通过轻柔或柔和地演奏，在琴颈和琴桥拾音器之间进行融合，并应用eq，可以实现各种音调。但是，这样做的目的是制作一个听起来很不错的“实用”低音库，轻松地将其混入混音中，并为用户提供标准的低音提琴，以作为其他低音提琴库的参考。

滑动发音以三音圈知更鸟的方式记录下来，可以通过变桨轮触发。对于大多数琴弦，分别记录了主要和次要第三次上滑和下滑的情况，例外是打开的E1，以及每当有滑音将音符放置在所记录的低音范围之外时。以120 BPM的速度记录幻灯片。像其他注释一样，可以释放幻灯片。

谨慎选择了最佳的音符样本。为了保持一致的声音，需要定期清洁琴弦。

*范围从E1到C4
*单独采样的取件
* 10个力度层，4音符轮循
* 8 GB的样本数据
*支持44.1、48、88.2和96 kHz

工程
亚当·梦露的电贝司的Kontakt版本现已贬值（1.22.2020）。 VST，音频单元和AAX版本完全由AdamMonroeMusic编程。也是VSTi（虚拟仪器），音频单元或AAX插件的任何示例库中的目标都是尝试匹配Kontakt Player的性能。有了这个库，我们觉得我们已经做到了。

VST，音频单元和AAX版本包括更新的高性能算法，随着Adam Monroe Music发布的每台新虚拟乐器都在不断改进。例如，缓冲算法是双缓冲和多线程的，这意味着即使在速度较慢的计算机上，甚至在较低的延迟下，缓冲性能也很快。声音以纯净的C样式阵列进行保留和迭代。内存使用量与Kontakt（已降价）版本相当-大约390MB。由于拥有可靠的VST，AU，AAX代码库，因此您可以确信VST，AU和AAX版本将与（已弃用的）Kontakt版本一样好。

VST，AU和AAX版本还包括自动采样率转换，支持44.1、48、88.2和96 kHz采样率。

为什么要完全开发VST，音频单元或AAX版本？尽管功能强大，但Kontakt的完整版（运行第3方样本库必需）价格昂贵。开发任何人都可以使用的VST，音频单元或AAX版本并不会花费大量时间来开发Electric Bass库，因为大部分时间都花在了采样和处理样本上，因此这真是轻而易举。另一个优点是，在VST，AU和AAX版本中，效果处理代码的潜力是无限的，而在Kontakt版本中，您只能使用脚本和内置效果。

音频工程是创建VST，AAX或音频单元插件的很大一部分，但是该电贝司库的声音几乎未得到处理。没有进行音调调整，因为可以通过拾音器之间的混合来显着改变音调。亮度可以通过“音调”旋钮调回，该旋钮本质上是HPF。

CHANGELOG v1.3：
该插件现在包括一个驱动旋钮，可增加内置的失真和增益。
该插件也已更新为与OS X Catalina兼容。

该插件的功能包括：
驱动器和音调旋钮。
单独采样的拾音器。
幻灯片样本。
4X Round-Robin和10 Velocity图层。

主页
adammonroemusic.com/electric-bass-vst/am-electric-bass-vst.html

Adam Monroe’s Electric Bass was sampled from a Yamaha BB424x electric bass guitar. The bass was modified so that individual pickups were wired to independent jacks, thus allowing for independent sampling of the bridge and neck pickups. Volume and tone pots were bypassed, so resistors were wired in their place to minimize the “ice pick” sound of an electric bass without pots. The pickups were then run into individual Radial 48 active direct boxes and Grace 101 preamps, which provided additional gain.

Sampling began by recording with the target of 4 velocity layers with 5 note round-robin. The strings of the bass were kept relatively bright and fresh. Nearly the entire bass was sampled in this manner, but the results were unsatisfactory, so the bass was re-sampled from the beginning with 10 velocity layers, 4-note round robin, and mellow strings.

Notes were gently plucked and fiercely attacked, so that playing low velocities generates a warm sound with subtle attack, well higher velocity notes become more percussive. By playing soft or hard, blending between neck and bridge pickups, and applying eq, a variety of tones can be achieved. However, the intention was to make a nice-sounding “utility” bass library that blends easily into the mix, and to offer the user a standard go-to bass that can serve as a reference for other bass libraries.

Slide articulations were recorded in three-note round robin and can be triggered via the pitch wheel. Major and minor third slide up and slide downs were recorded for most strings, the exception being open E1 and whenever a slide would place the note beyond the recorded range of the bass. Slides were recorded at a tempo of 120 BPM. Like other notes, slides can be released.

Care was taken to find the best strings on which to sample notes. Strings were cleaned periodically, in order to maintain a consistent sound.

* Range From E1 To C4
* Individually Sampled Pickups
* 10 Velocity Layers, 4-Note Round-Robin
* 8 GB Of Sample Data
* Supports 44.1, 48, 88.2, and 96 kHz

ENGINEERING
The Kontakt version of Adam Monroe’s Electric Bass is now depreciated (1.22.2020). The VST, Audio Unit, and AAX versions are programmed entirely by AdamMonroeMusic. The goal in any sample library that is also a VSTi (virtual instrument), Audio Unit, or AAX plugin is to attempt to match the performance of the Kontakt Player. With this library, we feel like we have done just that.

The VST, Audio Unit, and AAX versions include updated, high-performance algorithms that have been improving with each new virtual instrument released by Adam Monroe Music. For example, the buffering algorithm is double-buffered and multithreaded, which means that buffering performance is fast, even on slower computers, and even at lower latencies. Voices are held and iterated over in a pure, C-Style array. Memory use is comparable to the (depreciated) Kontakt version – around 390MB . Because of the solid VST, AU, AAX code base, you can feel confident that the VST, AU, and AAX versions will work just as well as the (depreciated) Kontakt version.

The VST, AU, and AAX versions also include automatic sample-rate conversion, supporting 44.1, 48, 88.2, and 96 kHz sample rates.

Why develop a VST, Audio Unit, or AAX version at all? Although a great piece of software, the full version of Kontakt (required to run 3rd party sample libraries) is expensive. Developing a VST, Audio Unit, or AAX version that anyone can use does not add significant time to the development of an Electric Bass library – most of the time is spent sampling and processing the samples – so it’s a real no-brainer. Another advantage is that effects processing code potential in the VST, AU, and AAX versions is limitless, while in a Kontakt version you are limited to scripting and built-in effects.

Audio engineering is a large part of creating a VST, AAX, or Audio Unit plugin, but the sounds of this electric bass library have barely been processed. No eq tweaks were made, as the tone can be shaped dramatically by blending between pickups. Brightness can be dialed back with the “tone” knob, which is essentially a HPF.

CHANGELOG v1.3:
The plugin now includes a drive knob, which adds built-in distortion and gain.
The plugin has also been updated to be OS X Catalina compatible.

Features of the Plugin Include:
Drive and Tone Knobs.
Individually sampled pickups.
Sampled slides.
4X Round-Robin and 10 Velocity layers.