P2P | 7 July 2021 | 2.79 GB

Cinestrings SOLO 与我们的其他 CineSymphony 系列库一样，具有非常直观且易于使用的图形界面，带有可快速选择的预设，可帮助您编写、编程和混音。您可以根据您的特定实践定制这些设置。映射页面可以快速为您设置力度、键切换或 MIDI 连续控制器 (CC) 清晰度切换。我们的混音器页面允许您快速访问我们的完整混音或其他三个麦克风位置。设置页面允许对这些音色中的每一个进行高级控制，以实现声音设计、编程和其他有用的功能。

CINESAMPLES 的自适应 LEGATO 引擎
CineStrings SOLO 的 True Legato 补丁具有全新的自适应连奏引擎，从头开始构建。这个新引擎具有额外的界面控制，允许您根据自己的演奏风格定制连奏响应。 CineStrings SOLO 中的连奏脚本旨在对您的演奏做出音乐响应。引擎检测您的播放速度并智能调整间隔速度以匹配。这意味着您可以在一次演奏中演奏缓慢、富有表现力的台词和快速演奏，而无需触摸快速拨号。此外，强度参数响应速度。

什么是“真正的连奏”？ True Legato 意味着我们对每个乐器的上下范围内的所有间隔跳跃进行了采样。当您演奏 True Legato 音色时，它会立即分析您演奏的音程，然后在音符之间演奏适当的过渡跳跃。结果是流畅而逼真的连奏演奏。

合奏补丁
CineStrings SOLO 还包括非常通用的“Chamber Ensemble”补丁（Articulations 和 Legato）。这些 Patch 将乐器映射到单个键盘上，可以在用户界面的 SETTINGS 选项卡上调整其范围。

映射
CineStrings SOLO 包括一个全新的映射区域，可在自定义作曲家工作流程方面提供更大的灵活性。

新的映射系统允许使用和弦键切换或重叠速度/CC 范围将关节混合在一起。这为根据您的个人需求定制 CineStrings SOLO 提供了更大的灵活性。例如，您可以将 Marcato 发音与 Spiccato 结合起来进行严厉的攻击。您可以使用 + Add Articulation + 按钮添加关节，并使用右侧的 X 减去关节。 Accent Overlay 控制在延音的起音上叠加了一个额外的发音（Marcato、Staccato、Spiccato）。打开 ACCENTED LEGATO 会将此层添加到连奏过渡中。

莱加托
经过大量实验，我们已经确定，在我们创建逼真的连奏乐器的系统中实施时，平滑连接的弓变式连奏会产生最佳效果。我们试听了许多过渡，这是最好的声音。虽然还有其他的连奏方法，但这些方法的结果不符合我们的标准。我们的目标是创造一些易于使用和开箱即用的东西。我们在灵活性和现实主义之间找到了平衡，这可能不包括所有类型的过渡。对于我们的录音方法来说，弓形变化连奏是最真实的声音。

INFINITE SUSTAINS（无限弓功能）
映射选项卡的右下角是 Infinite Sustains 控件。默认情况下，它由启用 True Legato 的绿色按键开关激活。在连奏过渡之后，在循环采样中保持演奏没有自然的弓形变化。可以理解，这是一种不自然的现象，但它提供了较慢速度所需的必要弓长。 True Legato 音色包含相同的功能，但没有简短的发音。在 Extra Patch 文件夹中，有标记为 (Infinite Bow) 的 Legato Patch 默认播放无限延音。

CineStrings SOLO 是在洛​​杉矶索尼影业工作室世界著名的 MGM Scoring Stage 录制的。 CineStrings SOLO Library 由资深传奇人物 Dennis Sands 录制和混音，通过精湛的表演和一些最伟大的 LA 得分音乐家的录音增强了我们必不可少的 CORE 收藏。该合集将在您的声音调色板中作为自己独特的电影声音发挥作用。 CineStrings SOLO 是一个对作曲家友好的独奏弦乐库，直观、多功能，并在可用性和声音方面完美地补充了其前辈。

与所有 CineSymphony 库一样，CineStrings SOLO 库不需要您购买任何额外的样本播放软件，并且被授权使用 Native Instrument 的免费 Kontakt Player。您只需要一个音序器，如 Logic、Cubase、Digital Performer、LIVE、Pro Tools、Cakewalk 甚至 Apple GarageBand，您就可以开始使用了。您还可以将 CineStrings SOLO 与您最喜欢的记谱软件（例如 Sibelius 或 Finale）一起使用。

Cinestrings SOLO, as with our other CineSymphony series libraries, has a very intuitive and easy to use graphic interface with quickly selectable presets that can help you write, program and mix. You can tailor these settings to your specific practices. The Mapping page can quickly set you up for velocity, key-switching or MIDI continuous controller (CC) articulation switching. Our Mixer page allows you to quickly access our Full mix or the three other microphone positions. The Settings page allows for advanced control over each of these patches for sound design, programming and other useful features.

CINESAMPLES’ ADAPTIVE LEGATO ENGINE
CineStrings SOLO’s True Legato patches feature a brand new adaptive legato engine, built from the ground up. This new engine features extra interface controls, allowing you to tailor the legato response to your own playing style. The legato script in CineStrings SOLO is designed to respond musically to your performance. The engine detects your playing speed and intelligently adjusts the interval speed to match. This means you can play slow, expressive lines and fast runs in a single performance, without touching the speed dial. Additionally, the intensity parameter responds to velocity.

What is “True Legato”? True Legato means that we sampled all of the intervalic leaps throughout the ranges, both upwards and downwards, for each instrument. When you play a True Legato patch, it instantly analyzes the intervals you play, then plays the appropriate transitional leap between the notes. The result is a smooth and realistic legato performance.

ENSEMBLE PATCHES
CineStrings SOLO also includes very versatile ‘Chamber Ensemble’ patches (Articulations and Legato). These patches map the instruments across a single keyboard, the ranges of which can be adjusted on the SETTINGS tab of the user interface.

MAPPING
CineStrings SOLO includes a brand new Mapping area that allows for greater flexibility in customizing composer workflows.

The new mapping system allows for articulations to be blended together, using polyphonic keyswitching or overlapping velocity/CC ranges. This allows for even more flexibility for tailoring CineStrings SOLO to your individual needs. For example, you could combine a Marcato articulation with a Spiccato for a harsh attack. You may add articulations using the + Add Articulation + button and subtract articulations using the X on the right. The Accent Overlay control layers an additional articulation (Marcato, Staccato, Spiccato) over the attack of sustains. Turning on ACCENTED LEGATO adds this layer to the legato transitions.

LEGATO
After much experimentation, we’ve determined that a smoothly connected bow-change style of legato yields the best results when implemented into our system of creating realistic legato instruments. We auditioned many transitions and this is the best sounding. While there are other approaches to legato, the results of those did not meet our standards. Our goal is to create something easy to use and playable right out of the box. We found a balance between flexibility and realism, which may not encompass every type of transition. The bow change legato is the most realistic sounding for our method of recording.

INFINITE SUSTAINS (Infinite Bow Feature)
On the lower right corner of the mapping tab is the Infinite Sustains control. By default, it’s activated by a green Keyswitch with True Legato on. Following a legato transition, sustains play without a natural bow change within the looped sample. This is understandably an unnatural occurrence, but it provides the necessary bow length needed in slower tempi. The True Legato patches contain the same function without short articulations. In the Extra Patches folder, there are Legato patches labeled as (Infinite Bow) that play the infinite sustains by default.

CineStrings SOLO was recorded at the world famous MGM Scoring Stage at Sony Pictures Studios in Los Angeles. Recorded and mixed by veteran legend Dennis Sands, the CineStrings SOLO Library enhances our essential CORE collection with masterful performances and recordings of some of the greatest LA scoring musicians. This collection will function as an exceptional cinematic voice of its own in your sound palette. An expressly composer-friendly solo string library, CineStrings SOLO is intuitive, versatile and complements its predecessors beautifully in both usability and sound.

As with all CineSymphony libraries, the CineStrings SOLO library does not require you to purchase any additional sample playback software, and is licensed to work with the Native Instrument’s free Kontakt Player. All you need is a sequencer like Logic, Cubase, Digital Performer, LIVE, Pro Tools, Cakewalk, or even Apple GarageBand and you’ll be up and running. You can also use CineStrings SOLO with your favorite notation software such as Sibelius or Finale.

ARTICULATIONS PATCHES
Our basic Articulations Patches by default include Spiccato, Staccato, Marcato, Legato (Standard and Espressivo), and Sustains. Some instruments also include Short Spiccato.

TRUE LEGATO PATCHES
What is True Legato? We sampled all of the intervalic leaps throughout the ranges, upwards and downwards, for each instrument. When you play a True Legato patch, it instantly analyzes the intervals you play, then plays the appropriate transitional leap between the notes. The result is a smooth and realistic legato performance.

EXTRA PATCHES
Some instruments include additional articulations such as Tremolo and Bartok Pizzicato (the string is snapped back onto the fingerboard), and Vibrato Crossfade.

The Vibrato Crossfade (CC2) patches also function similarly to the True Legato patches, with the additional functionality of being able crossfade between the standard (STD) sustain and the espressivo (ESP) (more vibrato) sustain styles at any point using MIDI parameter CC#2. This added flexibility allows you to mix and match a STD legato transition with an ESP sustain, or an ESP legato transition with a STD sustain, all in realtime while playing.

SPLIT PATCHES
We have included every articulation as separate patches. They are derived from the master articulation patches and allow you to save memory space, for example, if you only need a Spiccato and a Sustain patch. While this may increase your track count, many composers choose to have several patches loaded and switch via track instead of keyswitch or velocity.

— — — — — MINIFIED INFO — — — — — — —

Since I like to have many Kontakt libraries but don’t want to fill my hard drives with them, I minify them, keeping only what I really need from them.

— Library size is 6.5GB (from ~ 46.4GB)
— All samples are 16bit
— Only the “Close” mic exists